Laszlo Moholy-Nagy #4

Laszlo Moholy-Nagy

Ethereum

所属者

0xba...DBaC

Ethereum

稀有

7

/ 34

特征

Artist

László Moholy-Nagy

Year

1927

Property

Interior

Property

A women, monkey and pelicans

Number of characters

1

Print Edition

Unique

Museum Collection

Getty

Exhibition history

Vision in Motion: The Photographs of László Moholy-Nagy. The J. Paul Getty Museum (Malibu) June 27 to October 8, 1995

Book

Ware, Katherine.In Focus: Laszlo Moholy-Nagy. Photographs from the J. Paul Getty Museum (Los Angeles: The J. Paul Getty Museum, 1995), p. 32-33, plate 14, ill.

Book

Rubio, Oliva Maria. The Art of Light, László Moholy-Nagy (Madrid: La Fabrica, 2010), p. 88.

Edition

1 of 1

Medium

Non-Fungible Token

License

Copyright

File Size

3042 × 4000 px (4.6 MB)

Exhibition history

The Art of Light. Circulo de Bellas Artes (Madrid)June 1 to August 29, 2010 / Martin-Gropius-Bau (Berlin)November 4, 2010 to January 16, 2011 / Gemeentemuseum Den Haag (The Hague)January 29 to May 1, 2011

Exhibition history

Lyonel Feininger: Photographs, 1928-1939. Kupferstichkabinett, Staatliche Museen zu Berlin - Preußischer Kulturbesitz (Berlin)February 25 to May 15, 2011 / Pinakothek der Moderne (Munich)June 2 to July 17, 2011 / The J. Paul Getty Museum at the Getty Center (Los An

描述

Photoplastics. In this work we see greater liberties with space and form, exemplifying László Moholy-Nagy’s own style of montage. The artist wished to bring order to the layering of elements in his montages and maximize their legibility for the viewer, unlike the chaotic and image-packed work of the Dadaists. Despite this ordering, the meaning of the piece is meant to be associative rather than assigned. The deep significance suggested by such a ponderous title is not readily discernible. According to Lucia Moholy, a title was generally added after a composition was completed rather than being part of its genesis. In this whimsical piece the universe is shown to be comprised of a scaffolding of Constructivist beams and women’s legs, which provides shelter for a monkey treed by aggressive pelicans. The legacy of Hungarian artist Laszlo Moholy-Nagy is among the most cherished in the lineage of photographic art, and he can be defined as a visionary whose radical experiments with photography entirely re-imagined the possibilities for the medium. Working in the early 20th century when photography was not considered a form of high art, Moholy-Nagy actively sought to break down boundaries and find new languages of photographic discourse. In doing so, he left behind an oeuvre of visual ideas that have provided artistic license to a century’s worth of photographers to experiment boldly beyond the conventional definitions of what photography is expected to be. Edition: 1 of 1

详情

代币 ID

4

网络

Ethereum

标准

ERC721

Network

Laszlo Moholy-Nagy

大小

所有者

Laszlo Moholy-Nagy 4