Laszlo Moholy-Nagy #3

Laszlo Moholy-Nagy

Ethereum

所属者

0xba...DBaC

Ethereum

稀有

5

/ 34

特征

Artist

László Moholy-Nagy

Year

1926

Property

Interior

Property

A man's face

Number of characters

1

Capture Medium

Ernemann camera

Print Edition

Unique

Museum Collection

MOMA

Book

Heyne, Renate & Floris M. Neusüss (2009): Selbstporträt im Profil. László Moholy-Nagy, in: Bauhaus-Archiv / Museum für Gestaltung, Stiftung Bauhaus Dessau und Klassik Stiftung Weimar (Hrsg.): Modell Bauhaus, Ostfildern, S. 211–214.

Edition

1 of 1

Medium

Non-Fungible Token

License

Copyright

File Size

2748 × 4000 px (4.1 MB)

Museum Collection

Guggenheim

Book

Mende, Nicole (2009): Fotografische Experimente am frühen Bauhaus, in: Das Bauhaus kommt aus Weimar, hg. v. Ackermann, Ute; Bestgen, Ulrike. Berlin, München, S. 223–235.

描述

Photogram. Moholy-Nagy played a key role at the Bauhaus in Weimar and Dessau as a painter, graphic artist, teacher, and impassioned advocate of avant-garde photography. He made this image without a camera by placing ordinary objects, including his hand and a paintbrush, on a sheet of photosensitized paper and exposing it to light. While this simple process was practiced by photography's founders in the nineteenth century and was later popularized as a child's amusement, avant-garde artists in the twentieth century revived the photogram technique as a means for exploring the optical and expressive properties of light. With this shadow-image of a hand and paintbrush, Moholy-Nagy ambitiously suggests that photography may incorporate, and even transcend, painting as the most vital medium of artistic expression in the modern age. The legacy of Hungarian artist Laszlo Moholy-Nagy is among the most cherished in the lineage of photographic art, and he can be defined as a visionary whose radical experiments with photography entirely re-imagined the possibilities for the medium. Working in the early 20th century when photography was not considered a form of high art, Moholy-Nagy actively sought to break down boundaries and find new languages of photographic discourse. In doing so, he left behind an oeuvre of visual ideas that have provided artistic license to a century’s worth of photographers to experiment boldly beyond the conventional definitions of what photography is expected to be. Edition: 1 of 1

详情

代币 ID

3

网络

Ethereum

标准

ERC721

Network

Laszlo Moholy-Nagy

大小

所有者

Laszlo Moholy-Nagy 3