描述
Why don’t we ever see kids at fashion shows?
Is it because they’re the ones making the clothes?
Fast fashion sweatshops hidden in plain sight.
Flimsy paper doll clothes to feed the appetite.
Work till your heavy eyes dim, only the strong survives.
It’s not linen you’re wearing out, but human creatures’ lives.
Kids swatching and mislabeling.
An industry watching and enabling.
But they’re putting on a show, some fun to conceal.
Cheap, fast clothing, for a catwalk that costs a meal.
Work, work, work.
Stitch, stitch, stitch.
Seam, and gusset, and band.
Till the heart is sick, and the brain benumbed, as well as the weary hand.
Why don’t we ever see kids at fashion shows?
Is it because they’re the ones making the clothes…
“Seam and Gusset and Band”, 1/1 digital 3D collage in three aspect ratios: 16:19 dimensions 1920 x 1080 at 241mb, 1:1 dimensions: 1080 x 1080 at 139mb, 9:16 dimensions 1080 x 1920 at 242mb, duration: 0:49. Includes 3 different on-chain formats to accommodate digital displays, on a Transient Labs 7160 contract.
This piece is part of the ongoing series “DeepCuts”, 3D collages with depth inspired by songs and literature. Deepcut: “Song of the Shirt”, inspired by Thomas Hood’s poem.
“Seam and Gusset and Band” was made exclusively for Christie’s Auction House for their December 2024 New Wave Sale in conjunction with AOTM Gallery.
Rebecca Rose is an award winning collage artist exploring spatially collaged sculpts and animations. Her 20+ year body of analog, sculptural, and digital collage has received multiple major artist grants co-sponsored by The Robert Rauschenberg Foundation, The Andy Warhol Foundation, The Joan Mitchell Foundation, The Willem de Kooning Foundation, The Andrew Mellon Foundation, The Ford Foundation, and Bloomberg Philanthropic.
